Touring & Rentals
Book the RWB for a performance in your town.
REPERTOIRE TECHNICAL RIDER CONTACT
Canada’s Royal Winnipeg Ballet first began to tour Canada in 1945; then completed its first American tour in 1954. Today, the Company spends between 10-15 weeks a year on the road, performing in centres both large and small.
The average touring Company is approximately 40 people, including 26 dancers, 7 to 8 technical crew, and 4 to 6 staff and management. The Royal Winnipeg Ballet has developed touring infrastructure, of its over 50 year history of touring, which allows most of our productions to be setup and performed on the same day.
REPERTOIRE
Touring & Rentals Repertoire PDF
THE SLEEPING BEAUTY
SET & PROPERTIES DESIGN
Michael Eagan
COSTUME DESIGN
Shannon Lovelace & Anne Armit
CHOREOGRAPHER
Marius Petipa
Val Caniparoli’s A Cinderella Story
CHOREOGRAPHER
Val Caniparoli
SCENIC & COSTUME DESIGN
Sandra Woodall
MUSIC ARRANGEMENTS & ORCHESTRATIONS
Ron Paley
Moulin Rouge® – The Ballet
SET & PROPERTIES DESIGN
Andrew Beck
COSTUME DESIGN
Shannon Lovelace & Anne Armit
CHOREOGRAPHER
Jorden Morris
PETER PAN
SCENERY & COSTUME DESIGN
Anne Armit
LIGHTING DESIGN
Bill Williams
CHOREOGRAPHER
Jorden Morris
CARMINA BURANA
SET & COSTUME DESIGN
Carlos Gallardo
MUSIC
Carl Orff, Carmina Burana
CHOREOGRAPHER
Mauricio Wainrot
DRACULA
SET & COSTUME DESIGN
Paul Daigle
MUSIC
Gustav Mahler (excerpts from Symphonies #1, #2, #9)
CHOREOGRAPHY
Mark Godden
ROMEO & JULIET
SCENERY & COSTUME DESIGN
Toer van Schayk
LIGHTING DESIGN
Nicholas Cernovitch
CHOREOGRAPHY
Rudi van Dantzig
THE HANDMAID’S TALE
SCENIC DESIGN
Clifton Taylor
MUSIC
James McMillan, ArvoPärt, and others
CHOREOGRAPHY
Lila York
SWAN LAKE
SCENERY & COSTUME DESIGN
Peter Farmer
MUSIC
Pyotr Ilyich Tchaikovsky
CHOREOGRAPHY
Marius Petipa,
Lev Ivanov
NUTCRACKER
SCENIC DESIGN
Brian Perchaluk
LIGHTING DESIGN
Michael J. Whitfield
CHOREOGRAPHY
Galina Yordanova and Nina Menon
HIKARIZATTO
COSTUME & LIGHTING DESIGN
Itzik Galili
MUSIC
Percossa “Hikarizatto” (Niels van Hoorn and Janwillem van der Poll)
CHOREOGRAPHY
Itzik Galili
TECHNICAL RIDER
GENERAL TECHNICAL REQUIREMENTS
- Optimal performing area is 48 feet (14.5 m) wide, by 50 feet (15 m) deep. However, smaller spaces can be accommodated with prior consultation with the RWB’s production department.
- The stage should have a minimum of 28 working line sets available, relatively evenly distributed from the smoke pocket to a minimum distance of 40 feet (12 m) upstage.
- The battens should be a minimum width of 55 feet (16.75 m), made of 1-1/2 inch I.D Schedule 40 steel pipe (or equivalent).
- Each line set must be capable of safely carrying 1000 lbs above pipe weight, and must travel to a minimum height of 55 feet (16.75 m) above the stage floor.
- Free wing space of 15 feet (4.5 m) each side, offstage of the legs with 22 feet (6.5 m) of overhead clearance unobstructed as well as an unobstructed upstage cross over.
- Ideally there should also be a scenery dock for storage and preparation of props and scenery.
DRESSING ROOMS
We require, at minimum, one male and one female dressing room capable of accommodating 26 to 40 dancers in total.
CONTACT
CANADA, INTERNATIONAL & RENTAL INQUIRIES
Justin Dowbiggin | Director of Production
204.957.3447
380 Graham Avenue,
Winnipeg, MB, Canada, R2C 4K2
JDOWBIGGIN@RWB.ORG
UNITED STATES, CHINA & HONG KONG INQUIRIES
Todd Jordan | Vice President, Paquin Artist Agency
1.204.988.1133 | 1.204.988.1135
468 Stradbrook Avenue
Winnipeg, MB, Canada, R3L 0J9
CONTACT.TODD@PAQUINARTISTSAGENCY.COM